10 Regency Women to Know

 I read it [history] a little as a duty, but it tells me nothing that does not either vex or weary me…the men all so good for nothing, and hardly any women at all — it is very tiresome: and yet I often think it odd that it should be so dull, for a great deal of it must be invention.
~ Jane Austen

Despite their under-representation in history, 19th-century Britain had notable women in the arts, in science, in math…and even in the Royal Navy. Many lived long enough to become contemporaries of Queen Victoria, who began her rule in 1837 and arguably became the most famous woman in the British Empire, with influence felt around the world.

 

Jane Austen

1.       Jane Austen (1775 – 1817)

Author of six novels, her works are read and loved around the world. Her wit and gift for satire shone through even in her childhood, when she wrote her very own “The History of England from the reign of Henry the 4th to the death of Charles the 1st.”

2.       William Brown (c. 1815)

William Brown was an alias used by the first black woman known to have served in the Royal Navy. Her true name is unknown. She sailed on the warship Queen Charlotte and contemporary newspapers report that she was discharged after her gender became known. (More about William Brown and the Queen Charlotte.)

3.       Katherine Cochrane (1796 – 1865)

I’m in love with Kate’s story and at work on a novel based on her life. Kate Cochrane rose from penniless orphan to countess, but more remarkable than that is her extraordinary life. She traveled widely in South America and Europe, was highly persuasive (she got Thomas Cochrane, her firebrand husband, a pardon from the British government) and survived multiple assassination attempts (her husband helped support revolutionary activities by South American nations against Spain). Kate herself may have lent a hand to revolutionary activities; there’s evidence that she carried “dispatches” on her South American travels.

4.       Maria Graham (1785 – 1842)

An intrepid traveler, author, and science buff, Maria Graham became widowed as she sailed to South America with her husband. She bucked convention by staying on in Chile alone, and her adventures there included surviving an earthquake, cruising with Admiral Cochrane, and befriending the Brazilian empress, Maria Leopoldina. Maria wrote widely about her travels and became a popular author and illustrator.

Ada Lovelace

5.       Ada Lovelace (1815 – 1852)

Ada’s mother insisted on a disciplined academic program for her young daughter, fearing that Ada would develop a moody temperament like her father, Lord Byron. Ada had a natural gift for mathematics and was thrilled by the idea of the idea of an “analytical engine.” She created formulas and codes for how the engine could perform calculations – in essence, the world’s first computer program.

6.       Caroline Norton (1808 – 1877)

A talented author, Caroline nevertheless could not access the money she received from her writing due to laws that gave husbands legal rights to their wives’ income. Her husband’s mistreatment included physical brutality and in 1836, she left him. He retaliated by preventing her from seeing her three children. Caroline promoted laws that would extend the social rights of women, especially married and divorced women – laws that were eventually passed in 1839, 1857, and 1870. She also supported better working conditions for children in factories. However, Caroline did not support full equal rights for women, writing “The natural position of woman is inferiority to man… I never pretended to the wild and ridiculous doctrine of equality.”

Title page of The History of Mary Prince.

7.       Mary Prince (c. 1788 – after 1833)

Born into slavery in Bermuda, Mary was sold away from her family when she was 10, and was subsequently sold three more times. She performed backbreaking labor to manufacture salt, and was frequently beaten by her owners. She married a free black man, Daniel James, in 1826. In 1828 she came to England with her master’s family. There Mary fled and sought help from the Anti-Slavery Society. Though slavery was illegal in England, it had not been abolished in British colonies and Mary feared that is she returned to Bermuda, she would be re-enslaved.

Her book, The History of Mary Prince, is the first account of a black woman’s life published in England. It was widely read and became highly influential in the British abolition movement. It is unknown whether she returned to Bermuda.

8.       Mary Shelley (1797 – 1851)

Mary Shelley was just 20 when she wrote Frankenstein. Her father, who disapproved of her relationship with the poet Percy Bysshe Shelley, nevertheless praised the book “”[Frankenstein] is the most wonderful work to have been written at twenty years of age that I ever heard of. You are now five and twenty. And, most fortunately, you have pursued a course of reading, and cultivated your mind in a manner the most admirably adapted to make you a great and successful author.”

Frankenstein not only sparked the horror genre, but shows a keen understanding of the scientific theories popular at the time – especially the potential of electricity. In her later years she wrote plays, poetry, and books about travel, though her finances remained precarious.

9.       Mary Somerville (1780 – 1872)

As a child, Mary used her brother’s assistance to learn algebra. Her interest in math and science continued for the rest of her long life. She conducted experiments and presented her findings on magnetism to the Royal Society in 1825. She also translated scientific works and her translations became widely-read academic texts at British universities. She continued working, writing, and researching; her final scientific book, Molecular and Microscopic Science, was published when she was 89. Mary also served as a tutor to Ada Lovelace.

10.      Elizabeth Creighton, Lady Wharncliffe (1779 – 1856)

Lady Wharncliffe was a prolific artist whose works include drawings and paintings. At the age of about 20, she married James Stuart-Wortley, 1st Baron Wharncliffe. The couple had four children. Many of her works are in the Tate Collection, and her letters are preserved in Britain’s National Archives at Kew.

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(Ms) William Brown

In September 1815 a London newspaper carried a report that one William Brown, an able seaman with more than a decade of service in the Royal Navy, “was a female African.”

Picture of warship Queen Charlotte
Council of war aboard the Queen Charlotte, 1818.

Her true name, sadly, is not known. Neither is the actual length of her service. She certainly was aboard HMS Queen Charlotte, a ship that had played a role in suppressing the African slave trade, possibly while Brown was among the crew. With 104 guns, Queen Charlotte belonged to the largest class of naval warships, impressive first rates capable of carrying nearly a thousand officers and crew.

Women disguising themselves as men and joining the crews of fighting ships was certainly unusual in 19th-century Britain, but not unprecedented. Brown’s exact role remain unknown. Some scholars discount the newspaper report and believe that she served less than a month before her gender was discovered and she was discharged, as shown on the Queen Charlotte’s muster list. Others, like Suzanne J. Stark, believe that Brown had successfully served for many years, eventually earning an appointment as “captain of the foretop” – and even re-enlisted after her discharge.

While interpretations differ, one thing is clear: William Brown is the first known black woman to serve in the Royal Navy. I like to imagine that she had a longer tenure on the Queen Charlotte as the ship sailed along the African coast, and that maybe Brown herself witnessed the capture of slave ships and had a hand in the liberation of their human cargo. Perhaps someday we will know.

Sources:

Female Tars: Women Aboard Ship in the Age of Sail, Suzanne J. Stark. Naval Institute Press, 1996.

Wikipedia contributors, “William Brown (sailor),” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=William_Brown_(sailor)&oldid=706936213 (accessed February 28, 2017).

 

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Book Cover Design: Q & A with Natasha Snow

Not sure where to start with cover design?  Read on for Natasha Snow’s fantastic Q & A and find answers to the things you always wanted to know about working with designers, selecting a cover concept, and industry trends.

How did you become a designer? What led you to specialize in designing book covers?

When I was younger, I dreamed of finding something to do with my life that was creative, but still… strict. I’ve always liked rules, deadlines, plans. And then I discovered design. It’s creative, fun, and visually enthralling, but with rules. Sure, you can bend those rules, but design isn’t entirely opinion-based. There is good design, and there is bad design. And of course, all those little spaces in between.

I went to college for design with a major in print and illustration.  After that, it was really my love of reading that escalated my career as a book cover designer.

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What are some design influences that impact your work?

I like to go on to Pinterest and see what other cover designers are doing! I also spend a lot of my time on Goodreads so I’m basically looking at book covers all day. I find it really helpful for inspiration, but also because designing book covers is actually quite different from designing other things. You have to taken into account how it will look in thumbnail size, how it’ll look next to other book covers of the same genre, etc.

Do you have a favorite book cover?

Of mine? Oh, no. But if we’re talking about other covers, then yes! I have a few!

The Last Days of Jack Sparks by Jason Arnopp (The typography, the color palette, the weight, the balance: perfect)

The Diviners by Libba Bray (The version with just the hands and forearms in the darkness. Stark, striking, represents the genre perfectly, great typography)

Between the Notes by Sharon Huss Roat (Striking, minimal, create colors, and the use of negative space is fantastic)

When authors start their search for a cover designer, what kinds of things should they be thinking about?

  • Style. Make absolutely sure you like the artists style. Every designer has a different style, so make sure you like the majority of their portfolio.
  • Typography. If you yourself can’t tell the difference between good typography and bad typography, hire a designer who does. Typography is one of those areas of design without a lot of wiggle room. There is good typography and bad typography. There are good fonts and bad fonts, and some authors and designers will have a personal taste that affects their likes. But the actual typography work isn’t negotiable. It’s one of the biggest issues I see with some book covers. If your cover is amazing but your typography is lacking, people will notice.
  • Price. Look around at portfolios and find one a design in your budget. Look for pre-mades if your budget is lower. If you’re looking to have covers designed for an entire series, send the designer an email and see if they offer any kind of discount for a series.
  • Genre (sort of). I personally think a good designer can design an amazing cover in almost any genre. Before starting a project, I do research on the genre and what’s selling, what big publishing houses are putting out in that genre in regards to the cover, what’s popular, etc. But make sure the designer you’ve selected is comfortable designing in other genres. If you love a designer’s work but don’t see the genre of cover you’re looking for in their portfolio, shoot them an email and ask.

How much about a book do you need to know when you start the cover design process? Should an author send you a synopsis?

I love getting a synopsis! It’s definitely helpful and an integral part of the design process. Sometimes a brief passage of the book is also provided, which can be very helpful.

Also, I need to know the genre, overall feel, about the setting(s), and the characters, including visuals on how they look and their persona. I need to know if it’s a series cover as well. Knowing if there are any vital elements that the author thinks should be on the cover also helps a lot. And if the author has any suggestions in regards to visuals, I’ll definitely take those into consideration as well.

Describe your ideal collaboration process with an author when creating a cover design.

To start, I love having all the information about the book(s) before starting. Usually, the author will fill in the order form on my website  and from there, if I have any questions, I’ll email them to touch base, discuss when I’ll be starting the project, when we’re likely to be finished, and if we can meet all the deadlines.

From there, I start working on some concepts and send them to the author. Ideally, I do like getting feedback. Good types of feedback are things like “Oh, I like the blue, but remembered that the landscape is more green. How would a green palette look?” or “Can you try other fonts for the title and author name? I’m not sold on this one.” Or letting me know if some of the visuals need changing in general. I find my best work comes from feedback and usually after a handful of rounds of revisions.

I’d say the most important part of the relationship between author and designer is communication. If both parties are able to communicate well, I think you’ll end up with a great design.

What kinds of things should authors avoid doing?

Authors should probably avoid giving too much feedback or going through a lot of rounds of revisions.  Not only will this delay the process but sometimes it’s easy to get hung up on the small details that are only opinion-based.

I would also suggest avoiding getting too literal. If the character on the cover doesn’t look exactly like how you picture the character in the story, that’s okay. It should look similar, but I would always suggest going for something that looks good over something that looks accurate. Good will get potential readers to click the thumbnail and read the blurb.

I always say that it’s best to lure readers in with a great (but as accurate as possible) cover, and then hook them with the blurb.

What trends do you see in cover design?

In Romance right now (Contemporary, Erotic, and New Adult), black and white images with neon text is super popular –  usually with a shirtless and tattooed model, and a script font! Urban Fantasy is also really popular. A lot of bestselling covers in this genre have neon or bright colors and a model on the cover, holding something that looks magical.

Silhouettes are very popular in mystery/thrillers, as they have been for awhile. Double exposure is also becoming more popular in mystery/thriller covers.

Any final words of advice?

Trust your designer. Above all else, trust your designer and their opinion, their taste, and their style.

As a cover designer, it’s my job to make the author happy and give them a cover they love, but it’s also my job to tell them what works, what doesn’t work, and what I believe will sell.

Sometimes an author wants a cover that, unfortunately, won’t sell. Or won’t sell as well as it could with a different cover! My best advice would be to trust the designer you’ve hired, trust when they tell you one font is working more, one layout is working more, or one color palette is working more.  Nine times out of ten, you’ll get a much better cover by listening to your designer’s recommendations.

See more of Natasha’s work in her portfolio, contact her online, or visit her Facebook page.  

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Why Your Life Needs Rituals

Blue and white porcelain teacup and saucerLast summer I had the pleasure of visiting Hillwood Museum and Gardens in Washington, DC. The museum consists of the former home of Marjorie Merriweather Post, heiress, businesswoman, and art collector extraordinaire. I spent the afternoon gazing at priceless porcelain and dazzling jewels and wandering gardens filled with too many varieties of flower to name under a perfect blue sky.

Yes, the collection was remarkable, the setting splendid, and the home itself opulent. And yet what I came away most impressed by the recognition that seizing beauty isn’t something to postpone.

At the end of my visit I lingered in the gift shop. After seeing Marjorie’s fabulous collection, I wanted something beautiful of my own. I dithered and fretted, balking at the price of a Russian porcelain teacup.

“Just get it,” my friend Ali said.

I took her at her word, and she was a good sport as I spent the next 15 minutes deliberating which design I needed to bring home.

I’m now the proud owner of a teacup and saucer that cost more than some of my college textbooks. But self-indulgence wasn’t the point, not really. It was about giving myself permission to go after beauty and allow it into my everyday life. It was about permission to pause, to create a ritual that allowed moments to be savored.

In a world where we move from activity to activity seemingly second by second, we may need rituals more than ever.

Rituals anchor us. They provide focus in days that are often unpredictable. They offer time that is our own, to shape as we choose.

Rituals calm us. They offer comfort. They offer a moment to look forward to. They create space that allows mind and body to be still.

And powerfully, and perhaps counter to what we may often imagine in the creative process, rituals provide stability. Stability promotes routine, routine promotes consistency, and consistency means things get done.

Do you have a favorite ritual that has helped to foster your creativity? Drop a line in the comments!

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A Beginner’s Guide to Eloping

Last month, my husband and I celebrated our 5th anniversary. We are a nontraditional couple in many ways, and our married life fittingly enough began with a secret flight to Las Vegas and a wedding conducted at Graceland Wedding Chapel (Bon Jovi was also married here, and I figured if it was good enough for him, it was good enough for me! And to their credit, the staff did a lovely job.)

Bride and groom leaving wedding ceremony
Photo by Gina Fasciani.

I naturally felt affinity for Kate Cochrane, heroine of my forthcoming novel, who also eloped. And despite the fact that elopements are much maligned, I believe there’s something powerful in couples who chose to dispense with ceremony. I believe there’s something powerful in couples who choose to begin their marriage with only each other.

In America, we are often guilty of falsely equating the size and scope of the wedding with the value the couple places on their marriage.

If a couple elopes or has a civil ceremony, there’s the nagging assumption that they were too indifferent or too impolite to give the event its due. Wrong. And if you’re thinking of marriage, via elopement or otherwise, I offer the following thoughts:

  1. A wedding is not a chance to prove anything. Not how rich you (or your parents) are. Not how much sophistication and good taste you show. Not how many friends you have.
  2. A wedding is not the culmination of your relationship. The road does not end at the altar. Your relationship is ever-evolving. A wedding marks the beginning of a new iteration of that relationship. Get ready for it – and open yourself to change and flexibility and growth.
  3. A wedding is no guarantee. Don’t think that a wedding will fix anything. Don’t think that a wedding will make you happy. Don’t think that a wedding will prove that you are loved. Please don’t misunderstand me – weddings are important. Committing to a marriage is the most powerful, dynamic, thrilling, challenging commitment that two humans can make to each other. But weddings only mean that if you are all in.

For me, the biggest danger is that wedding planning can suck the energy and attention into things completely unrelated to the quality of your marriage.  Do you really need to serve four kinds of artisinal salad dressing at your beachside buffet? Do your bridesmaids really need to wear lemon yellow strapless chiffon? Do you need a fairytale setting because you think perfect is the only path to happy?

Whenever you make a decision about your upcoming nuptials, ask yourself where your energy is going – to the wedding, or towards the marriage? If it is the latter, good on you. And if it’s the former, take a deep breath, make a choice, and remember the reason that you’re doing this.

P.S. After our Las Vegas elopement, my husband and I did have a traditional wedding ceremony attended by family and friends. I’m not anti-wedding, and I love a good party. The whole thing was as DIY as we could make it (My sister and I made the centerpieces ourselves, I did my own makeup, and one of my dad’s buddies was a champ and served as our bartender. My friends and in-laws set up the décor, and we had no wedding party to speak of but both of our sisters did readings.) We rented out a barn and a BBQ food truck, served beer and wine that we hand-selected from local offerings, and danced until the fireflies came out.

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On Writing and Place

This morning I walked along the Atlantic coast. The sun had not long risen, and yellow light sliced through gray and pink clouds. I thought of how artists have always been drawn to the sea, and the waters that are always mesmerizing, always changing, always the same.

picture of ocean in early morning, with waves and sunlight

I have seen many oceans. The Atlantic was the first, but also the North Sea along the English coast, the Mediterranean that circles the Greek islands of Naxos and Santorini, the aquamarine-blue Caribbean. Then the Pacific along Nicaragua, and then later off the coast of California, and finally the reaches of the Pacific along the northwest coast, along the old whaling towns off Bainbridge Island.

I could not know, as a child catching her first look at the sea, that I would one day write a book where the waves and storms and mists become as much of the fabric of the story as any character. All of those seaside walks, the early morning digging oysters in Wellfleet, the squall on the Mediterranean that had me ferrying ginger ale and aspirin to seasick passengers – those all invisibly built something in my mind that years later, came spilling out onto pages.

We all have a place that we know so well, it has become part of us, consciously or not.

We’ve all read stories, too, where place becomes a presence that seems to influence or even drive the behavior of the characters – for good or ill. Novels like:

Of course there are more! Which novels moved you with the way place shaped the story in a way that you can’t forget?

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Lipstick Before a Protest

candles in hands
Photo by Teresa Casale.

Dear Readers –

My political commentary generally relates to events two centuries ago, and in other countries. However, this week’s events have compelled me to break with precedent and write something about the 2016 presidential election.

My parents grew up in the 1960s. They were college students in Ohio during the Kent State shootings; they had classmates who went to Vietnam and never came home. I asked my mother once what she thought of the social protests, if she had ever joined the marches for civil rights, for women’s rights, for peace. She said no. She kept her head down and stayed out of it. She was afraid of being expelled from school. I remember being disappointed in her answer, ashamed of her fear.

Forty-six years later, I can’t sit this one out.

Let me start by saying that I wish our president-elect the best of success. Ready or not, he must lead. I hope that he is able to step up to that great responsibility and lead well. Though I have – often – disagreed with the policies of presidents of both parties, I have always respected the office.

His job will not be an easy one. There are many Americas. We are a fractured country – and have been fracturing in ways visible and not-so-visible for a long time. In 2010 I spent nearly a month driving through the America those on the coasts call the “fly-over states.” Even then I saw towns all but abandoned, empty store after empty store along empty streets. I come from an Appalachian state with pockets of deep and documented poverty, poverty that is mocked and misunderstood, poverty that the people living there can’t simply drive through.

For some, like the 1 in 6 American men who are not working, the economic recovery has been something that other people experienced, and not them. There is a colossal distrust of the American political establishment. In the summer of 2016, Congressional approval ratings dropped to unprecedented lows as constituents expressed disappointment not only with Congress overall but with their own representatives’ performance.

But these trends only show statistics, and this election was won on emotion. Anger, fear, hope, uncertainty. The voting block with more anger than hope spoke, and though they do not speak for all Americans, they decided for all of us who the next president will be.

Some of their anger, I understand. These are the people I come from, and like the author of Hillybilly Elegy J.D. Vance, I’ve moved away but I cannot forget. And yet not all poverty is treated as innocent poverty, and whites may disproportionately use it as an extenuating circumstance for other ills. As an op-ed piece in the Globe and Mail noted, “You may have noticed that, the story goes, white people are on drugs because they have no jobs, but black people have no jobs because they are on drugs.”

Economics is a factor but it is not the only factor. Gender is a factor but it is not the only factor. Race is a factor but it is not the only factor. We desperately want an explanation for the unexplainable, but seizing on a simple one only places more blinders around truths that we struggle to acknowledge.

This election, perhaps more than any presidential election in recent memory, is at the intersection of the personal and the political. Now we are all reckoning with the aftermath. Some are feeling joyful and affirmed, others are mourning. We are coming to terms with this new America in our different ways, some with vigils and protests, some by writing, some by carrying signs, some by seeking solidarity. Some methods take us out of ourselves, and others drive us inward.

I hope that none drive us to hate. I confess that this America is a country that I struggle to recognize. I woke up on the morning of November 9 feeling as if I’d been hit with a very ugly family secret. I had believed that the American people had learned from our past mistakes, that we could do better than our institutions, which I will be among the first to admit are flawed.

The path to creating a more perfect union is not merely feeling, but acting. Voting is a small act, but it is a powerful one. Why else would those who had it put in decades of efforts and intimidation and brutality to keep it out of the hands of minorities and out of the hands of women? For many the opportunity to vote was won the hard way. Though it is your right to abstain, please don’t. Too many people sat out this election. We as a nation lost their voices.

Last night I was at the vigil-turned-march in downtown Washington, DC. I left the house with a warm coat and a fresh coat of lipstick. Someone handed me a safety pin and I pinned it onto my jacket. Though some commentators have derided this action, I disagree. Wearing a safety pin doesn’t make me feel better. It makes me feel worse. It reminds me that too many of my fellow citizens cannot feel safe in the country that they call their own, that they have as much of a right to as I do.

Wearing a safety pin reminds me that I should be prepared to keep the promise that the pin signifies. My world has many kinds of people in it, and some may need my help. Mr. Trump has made vicious comments about women, people of color, people with disabilities, LGBTQ community members, people of non-Christian faiths, veterans. Those comments have emboldened an ideology that I cannot and will not ever tolerate.  I cannot ever think that this is not my battle. I’m reminded of the Muslim photographer who made me laugh during three days of long photoshoots in DC, of the woman at my gym who works out in a headscarf. Of my sister and her wife. Of my husband, born overseas, and a naturalized citizen who gave over a decade of service to the United Stated Navy.

I think of the time I was on my way to meet a black friend after work and one of my car tires blew out. Someone stopped almost immediately to help – but if our places have been reversed, would someone have stopped for her? Would the helpfulness I encountered in the Midwest have extended to me had my face been a different color?

I don’t know and I cannot know the answer to these questions. I can only try to let the America that I grew up believing in not slip away, and I can only be humble, to not think that by trying to do the right thing that I am righteous.

And I can hope. I can hope America will indeed be great again, but not in the way that Mr. Trump imagines.

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Quotes on Writing

laptop

November is National Novel Writing Month (also known as NaNoWriMo) – but any time of year is a good time to read quotes on writing and inspiration by great writers.

“When you’re writing, you’re conjuring. It’s a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you’re inviting into the room.”
~Tom Waits

“I am certain of nothing but the holiness of the hearts affections and the truth of imagination – what the imagination seizes as beauty must be truth, whether it existed before or not.”
~ John Keats

“Don’t be a writer. Be writing.”
~ William Faulkner

“If there is a book you want to read, but it hasn’t been written yet, then you must write it.”
~ Toni Morrison

“Every book is holy. Every single one of them, even the bad ones. Every single book has at least one good idea about how to be a human being.”
~ Sherman Alexie (read the complete interview on The Lightning Notes)

 

 

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The Truth About Backyard Chickens

Three years ago, my backyard hens laid their first eggs. To commemorate the occasion (and because I get a lot of questions about the hens) here are some words on backyard chickens.

Raising chickens was not my idea. They arrived in my life after I made a passing comment to my husband that having backyard poultry might be “interesting.” Not long after, I came home to discover eight day-old peeps cheeping under a heat lamp in the laundry room.

Chihuahua and baby chickens
Our chihuahua Taco herding the baby peeps.

From there, the innocent balls of fluff took over our lives. They got messy. Their adorable yellow fuzz turned into gangly half-formed feathers. They got bigger – and rowdier. They scattered food and water everywhere in their incubator. Within a few weeks they had to be moved from the incubator into a “brooder” in the sunroom (a brooder is sort of a halfway house for adolescent poultry until they are old enough to live outside.)

Meanwhile, my husband worked on a contractor-grade outdoor coop that would become the chickens permanent home. It had a working window, tile flooring (for easier cleaning), built-in next boxes and roost, and an insulated roof. The thing took four months to build and countless trips to Lowes’. One afternoon mid-build the chickens escaped from their brooder and ran amok in our sunroom. I arrived home from work to discover the chickens perching atop my graduate school thesis and family photos, feathers and poop everywhere, cheerfully oblivious to the mayhem they caused.

Our chicken experiment nearly ended then and there – via an impromptu and immediate chicken pot pie – but reason intervened and we captured the wayward chickens and returned them to the brooder.  Soon after, they moved to their outdoor quarters, where they have remained ever since.

Basket of eggs
Eggs from our backyard hens.

What have I learned from all this?

  1. Chickens are messy. Not only do they poop a lot and shed feathers, they also shed a fine white dander. That alone is enough for me to refrain from treating them as cuddly pets – though some chicken owners feel otherwise (see this fascinating article on a CDC advisory telling owners to stop hugging their chickens).
  2. Chickens have personality. The pecking order is real! We have the boss hen, Sophia, who pushes the other hens around. She’s first in line for the food and will peck the others back into their places. Newcomer Alice was shy at first but hung in there for the #2 spot, with the twin Americuana hens Matilda and Myrtle deferring to their more aggressive companions.
  3. Chicken psychology is real. Like people, chickens can be upset by changes in their environment or stressful circumstances. For instance, food or water shortages will cause the hens to stop laying, as will being frightened by predators like foxes. Myrtle has a propensity for “broodiness” (stubbornly sitting in the nest box when there are no eggs to hatch; this can be dangerous as broody hens often don’t get enough food and water because they insist on sitting in the nest.) When we place Myrtle in a special coop to break her broody cycle, the other hens tend to not lay as well.
  4. Chickens get you close to your food. It is thrilling to see fresh eggs! Because our hens lay eggs in different colors and shapes, we are often able to tell whose egg it is. We originally had four roosters from that set of 8 chicks; we aren’t able to keep roosters, so one by one, we harvested and ate them. This may sound cruel, but it actuality it is only removing the commercial poultry farms and butchery from the equation. It seems a more honest way to eat meat.
  5. Chickens are great for “going green.” Between our compost piles, chickens, and recycling, we have very little actual trash. Chickens are excellent means of using food scraps that might otherwise be thrown away. Vegetable peels, stale breads and rolls, strawberry hulls, apple cores…chickens love it all! These scraps add variety and extra nutrition to their diet of commercial poultry feed, and it reduces our food waste. It is pretty amazing to think that I know every single thing those chickens have eaten since they were a day old! Also, we are able to raise the chickens in comfortable, more natural circumstances and in a far more humane way that is generally practiced in commercial poultry operations.
Flock of chickens
Sophia and the flock hunting for bugs.

The chickens are not saving us money when it comes to food or providing an endless supply of fresh eggs (production dwindles as the chickens age as well as with the seasons – in fall and winter, we may only get an egg a week), but they have been a worthwhile experiment, and a source of endless dinner party conversation.

Got a chicken question? Ask in the comments and I’ll do my best to answer!

 

 

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Why I Love Playing Tourist

Picture of the Puget Sound
View of the Puget Sound from the top of the Seattle Space Needle.

Last month I had the privilege of visiting Seattle – and incredibly, of seeing the city under consistently sunny skies.

Since moving to the Washington, DC area twelve years ago, I’ve become accustomed to seeing tourists. Rarely do I have the novelty of being a tourist myself! Seattle reminded me of what it is like to see a place for the first time, for every experience in that place to be your first, and for the wonderful mix of curiosity and bewilderment and surprise that being a “tourist” can offer.

My favorite moment in Seattle was taking the ferry to Bainbridge Island, just over the Puget Sound. While there I rented a bike from Classic Cycle and had an exhilarating afternoon pedaling around the island.

You can read more about Seattle – and its amazing food – on my guest post “Seattle: Travel and the Beginner’s Mind” at World Travelers Today.

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